I usually click on "Big Tits" or "Curvy". Dozens of women of all ages appear. I click on those that intrigue me. The ones with purple hair, or tattoos... or piercings, I ignore. I really hate skanky.So I'm looking at a woman with her top on. She might be twenty, or she might be fifty. Because she's a woman, she can't seem to point the camera at what we actually want to see, and she thinks we are more interested in her hair or her dancing, or the cushions on the bed, and we are all silently saying. Paul: Who is ‘they’, Glenda? Why can’t you just ask for a transfer? Glenda: I asked for a transfer, but they won’t do it. It was my boss, Dean Judson. There was another man there. He’s the client, his name is Hopkins. It was all Paul had to hear. It was payback, it was what Hopkins meant by his threat when he called him. Hopkins’ vendetta had escaped the bounds of business. It was personal. Glenda: I would quit, Paul. I could find another job, but I can’t do that. I need eighty points to retire. I looked around his salon. His "Beauty Shop,"as my grandmother would say. I was getting my hair done in a BeautyShop. The magazine racks were filled with copies of Woman's Day, Vogue,and Cosmopolitan. Not a Sports Illustrated or Field and Stream in sight.This was an exclusively feminine place, and I was, for the moment, thecenter of attention. Women came here to look more feminine, beautiful,and attractive to men. I was here for...the same reason. As my eyeswandered over the shelves of. With my identity securely concealed in the Santa suit. I had been responsible for Pam’s beautiful bottom squirming and twisting on my lap. The swatting holiday favorite had the students, teachers and staff all in stitches. They laughed as Pam gasped on stage.Now of course what would be up and coming was the tricky part. How would I connect with Pam and convince her that the spasm she had on stage could become a part of her real life outside of the stageThe Holiday Season would soon be coming up.
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